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Gloria (Carmen Maura) is a typical Madrid housewife living in an anonymous, run down apartment block. Gloria has her problems. Her slovenly and disinterested taxi driver husband is obsessed with an ex Nazi chanteuse; of her two sons, one has discovered the benifits of dope dealing while the other is a promiscuous homosexual conducting affairs with his school mates' fathers; her self reliant mother in law keeps a pet lizard called "Money". Things couldn't get much worse until a bizarre set of incidents leads Gloria to a murder by ham-bone and a labyrinthine plot to forge Hilter's diaries! Pedro Almodovar's fourth feature is a sharp, erotic and scabrously funny black comedy that displays a warm affection towards it's characters and a surprisingly happy ending. |
A typical kitsch 'n' think mixture of tragedy and comedy from Spanish director Pedro Almodóvar. Carmen Maura is the unhappy Madrid housewife who rebels against the pressures of modern life with drugs and manslaughter when her family's myriad problems drag her deeper into depression. Using the language of Italian neorealism, sexual taboos, fake commercials for bogus products and his skewed sense of autobiographical social conscience, Almodóvar mines this spiky black farce for all its allegorical worth.
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Halliwell's Film Guide
Fast-paced inconsequential black comedy, lacking any internal coherence as it rushes from one tasteless joke to another.